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So with that thought in mind, let's get the instrument in tune. Guitars DO go out of tune. New strings do so exceptionally fast after they've just been fitted so listen carefully to the rest of the group; and especially during cold spells. So you will need to tune the instrument every time you get it out of the case. Below is the pitch of each string in relation to the staff. The circled numbers are the strings in order from the thickest (6) to the thinnest (1). Some people number their strings the opposite way so this can cause a little confusion.
To make sure the strings are at the correct pitch and you don't want to heft a piano around in your gear, I suggest some form of tuning aid. For local residents I would suggest you have a word with my friend John Oxley at Market Music in Durham. He carries a wide range of tuners. The simplest will do for a guitar, but some allow you to tune fiddles, cellos, banjos, mandolins et al. all on the same device.
There are a few tricks you can employ without a tuner. In my days, hey what am I talking about, I still use a tuning fork pitched at 384 cycles (G), to tune the G (3rd) string and use the following fret positions to tune the other strings. So have a look at the neck and listen carefully, I will say this only once.

Once the G-3rd string (red dot) is in tune, look at the positions of the magenta spots. If you place your finger at the frets marked, you will sound the pitch of the next highest string. Its then a simple matter of working up and down the strings to tune them to each other.
If you look at the positions of the yellow dots and place your fingers accordingly, you can get the octave of the next lowest string. Sometimes this is a good way to double check your tunings if you have difficulty distinguishing the same notes when they are within a few cycles of each other.
The blue spots (12th fret) give the octave of each string.
The green dot is the tuning for middle-C on a keyboard.
And that, as they say... is that!
It has been a lot of years since I played a guitar, but I remember the pain and suffering caused by hardening my fingers on steel strings. A better sound for folk music, I think. Practice, practice and practice... eventually your fingers stop hurting and miraculously the strings stop buzzing against the frets when they are pressed on to the fingerboard. Then you'e starting to play.
I would again advise contacting a local tutor. Market Music have a selection of tutors on their site teaching classical Spanish style to modern rock, or if you are still not sure, drop in to the market and have a word with John.
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